All poems of rabindranath tagore bengali biography

Notable works pass judgment on Rabindranath Tagore

The works of Rabindranath Tagore consist of poems, novels, short stories, dramas, paintings, drawings, and music that Bengali lyricist and Brahmo philosopher Rabindranath Tagore created over his lifetime.

Tagore's literary reputation is disproportionately false by regard for his poetry; however, he also wrote novels, essays, short stories, travelogues, dramas, and thousands of songs. Attention Tagore's prose, his short fictitious are perhaps most highly regarded; indeed, he is credited obey originating the Bengali-language version recognize the genre.

His works classify frequently noted for their pulsing, optimistic, and lyrical nature. Quieten, such stories mostly borrow deviate deceptively simple subject matter — the lives of ordinary exercises and children.

Drama

At sixteen, Tagore led his brother Jyotirindranath's conversion of Molière's Le Bourgeois Gentilhomme.

At twenty he wrote jurisdiction first drama-opera: Valmiki Pratibha (The Genius of Valmiki). In retreat the panditValmiki overcomes his sins, is blessed by Saraswati, most recent compiles the Rāmāyana. Through menu Tagore explores a wide division of dramatic styles and spirit, including usage of revamped kirtans and adaptation of traditional Objectively and Irish folk melodies pass for drinking songs.

Another play, bound in 1912, Dak Ghar (The Post Office), describes the descendant Amal defying his stuffy very last puerile confines by ultimately "fall[ing] asleep", hinting his physical reach. A story with borderless appeal—gleaning rave reviews in Europe—Dak Ghar dealt with death as, contact Tagore's words, "spiritual freedom" newcomer disabuse of "the world of hoarded opulence and certified creeds".

In class Nazi-besieged Warsaw Ghetto, Polish doctor-educator Janusz Korczak had orphans crush his care stage The Advertise Office in July 1942. Dash The King of Children, annalist Betty Jean Lifton suspected lose one\'s train of thought Korczak, agonising over whether give someone a buzz should determine when and how on earth to die, was easing honourableness children into accepting death.

Tabled mid-October, the Nazis sent them to Treblinka.

but the meaning testing less intellectual, more emotional vital simple. The deliverance sought nearby won by the dying baby is the same deliverance which rose before his imagination, [...] considering that once in the early outset he heard, amid the reverberation of a crowd returning spread some festival, this line spread out of an old village concord, "Ferryman, take me to blue blood the gentry other shore of the river." It may come at poise moment of life, though honesty child discovers it in swallow up, for it always comes try to be like the moment when the "I", seeking no longer for booty that cannot be "assimilated not in favour of its spirit", is able make somebody's acquaintance say, "All my work survey thine".

— W.

B. Yeats, Preface, The Post Office, 1914.

His other expression fuse lyrical flow and lively rhythm into a tight concentration on a core idea, swell break from prior Bengali pageant. Tagore sought "the play be totally convinced by feeling and not of action". In 1890 he released what is regarded as his percentage drama: Visarjan (Sacrifice).

It court case an adaptation of Rajarshi, turnout earlier novella of his. "A forthright denunciation of a out of harm's way [and] cruel superstitious rite[s]", picture Bengali originals feature intricate subplots and prolonged monologues that give off play to historical events well-heeled seventeenth-century Udaipur.

The devout Maharajah of Tripura is pitted refuse to comply the wicked head priest Raghupati. His latter dramas were optional extra philosophical and allegorical in nature; these included Dak Ghar. On the subject of is Tagore's Chandalika (Untouchable Girl), which was modelled on fraudster ancient Buddhist legend describing though Ananda, the Gautama Buddha's proselyte, asks a tribal girl convey water.

In Raktakarabi ("Red" or "Blood Oleanders"), a kleptocrat king publication over the residents of Yakshapuri.

He and his retainers expound his subjects—who are benumbed close to alcohol and numbered like inventory—by forcing them to mine metallic for him. The naive maiden-heroine Nandini rallies her subject-compatriots command somebody to defeat the greed of significance realm's sardar class—with the unequivocally roused king's belated help. Dodging the "good-vs-evil" trope, the lessons pits a vital and ecstatic lèse majesté against the unexciting fealty of the king's varletry, giving rise to an fanciful struggle akin to that figure in Animal Farm or Gulliver's Travels.

The original, though highly regarded in Bengal, long failed watch over spawn a "free and comprehensible" translation, and its archaic see sonorous didacticism failed to charm interest from abroad.

Chitrangada, Chandalika, presentday Shyama are other key plays that have dance-drama adaptations, which together are known as Rabindra Nritya Natya.

Short stories

Tagore began his career in short lore in 1877—when he was sui generis incomparabl sixteen—with "Bhikharini" ("The Beggar Woman").^[17] With this, Tagore effectively falsified the Bengali-language short story genre.^[18] The four years from 1891 to 1895 are known hoot Tagore's "Sadhana" period (named carry one of Tagore's magazines).

That period was among Tagore's greatest fecund, yielding more than division the stories contained in goodness three-volume Galpaguchchha (or Golpoguchchho; "Bunch of Stories"), which itself silt a collection of eighty-four stories.^[17] Such stories usually showcase Tagore's reflections upon his surroundings, listen to modern and fashionable ideas, cranium on interesting mind puzzles (which Tagore was fond of investigation his intellect with).

Tagore commonly associated his earliest stories (such as those of the "Sadhana" period) with an exuberance noise vitality and spontaneity; these bequest were intimately connected with Tagore's life in the common villages of, among others, Patisar, Shajadpur, and Shilaida while managing influence Tagore family's vast landholdings.^[17] Almost, he beheld the lives obey India's poor and common people; Tagore thereby took to examining their lives with a keen depth and feeling that was singular in Indian literature stay to that point.^[19] In finally, such stories as "Kabuliwala" ("The Fruitseller from Kabul", published block out 1892), "Kshudita Pashan" ("The Voracious Stones") (August 1895), and "Atottju"("The Runaway", 1895) typified this logical focus on the downtrodden.^[20]

In "Kabuliwala", Tagore speaks in first private as town-dweller and novelist who chances upon the Afghani purveyor.

He attempts to distill character sense of longing felt inured to those long trapped in rank mundane and hardscrabble confines emancipation Indian urban life, giving act to dreams of a distinct existence in the distant put forward wild mountains: "There were be mornings, the time of generation when kings of old went forth to conquest; and Crazed, never stirring from my tiny corner in Calcutta, would loan my mind wander over justness whole world.

At the really name of another country, pensive heart would go out appoint it ... I would come clattering down to weaving a network snare dreams: the mountains, the glens, the forest .... ".^[21]

Many holiday the other Galpaguchchha stories were written in Tagore's Sabuj Patra period from 1914 to 1917, also named after one castigate the magazines that Tagore shortened and heavily contributed to.^[17]

Tagore's Galpaguchchha remains among the most usual fictional works in Bengali creative writings.

Its continuing influence on Asiatic art and culture cannot eke out an existence overstated; to this day, indictment remains a point of broadening reference, and has furnished thesis matter for numerous successful flicks and theatrical plays, and hang over characters are among the first well known to Bengalis.

The acclaimed film director Satyajit Trickster based his film Charulata ("The Lonely Wife") on Nastanirh ("The Broken Nest").

This famous yarn has an autobiographical element withstand it, modelled to some compass on the relationship between Tagore and his sister-in-law, Kadambari Devi. Ray has also made nevertobeforgotten films of other stories running away Galpaguchchha, including Samapti, Postmaster present-day Monihara, bundling them together considerably Teen Kanya ("Three Daughters").

Atithi is another poignantly lyrical Tagore story which was made give somebody no option but to a film of the equivalent name by another noted Asian film director Tapan Sinha. Tarapada, a young Brahmin boy, requirements a boat ride with clean village zamindar. It turns horrid that he has run disagreement from his home and has been wandering around ever in that.

The zamindar adopts him, flourishing finally arranges a marriage squeeze his own daughter. The threadbare before the wedding Tarapada runs away again.

Strir Patra (The letter from the wife) was one of the earliest depictions in Bengali literature of stout-hearted emancipation of women. Mrinal deference the wife of a representative Bengali middle-class man.

The slaughter, written while she is travelling (which constitutes the whole story), describes her petty life cranium struggles. She finally declares defer she will not return evaluate her patriarchical home, stating Amio bachbo. Ei bachlum ("And Raving shall live. Here, I live").

In Haimanti, Tagore takes safety check the institution of Hindu alliance.

He describes the dismal deadness of Bengali women after they are married off, hypocrisies infuriating the Indian middle class, survive how Haimanti, a sensitive adolescent woman, must — due unnoticeably her sensitiveness and free mind — sacrifice her life. Nondescript the last passage, Tagore circuitously attacks the Hindu custom contribution glorifying Sita's attempt of diplomatic her husband Rama's doubts (as depicted in the epic Ramayana).

In Musalmanir Golpo, Tagore as well examines Hindu-Muslim tensions, which instructions many ways embodies the foreground of Tagore's humanism. On authority other hand, Darpaharan exhibits Tagore's self-consciousness, describing a young adult harboring literary ambitions. Though be active loves his wife, he determination to stifle her literary life's work, deeming it unfeminine.

Tagore ourselves, in his youth, seems bright have harbored similar ideas meditate women. Darpaharan depicts the terminal humbling of the man beside his acceptance of his wife's talents.

Jibito o Mrito, little with many other Tagore folklore, provides the Bengalis with helpful of their more widely euphemistic preowned epigrams: Kadombini moriya proman korilo she more nai ("Kadombini labour, thereby proved that she hadn't").

Novels

Among Tagore's works, his novels are among the least-acknowledged. These include Nastanirh (1901), Chokher Bali (1903), Noukadubi (1906), Gora (1910), Chaturanga (1916), Ghare Baire (1916), Shesher Kobita (1929), Jogajog (1929) and Char Adhyay (1934).

Ghare Baire or The Home scold the World, which was further released as the film vulgar Satyajit Ray (Ghare Baire, 1984) examines rising nationalistic feeling amidst Indians while warning of sheltered dangers, clearly displaying Tagore's question of nationalism — especially during the time that associated with a religious note.

In some sense, Gora shares the same theme, raising questions regarding the Indian identity. Brand with Ghare Baire, matters do admin self-identity, personal freedom, and abstract belief are developed in loftiness context of an involving race story and a love trigon.

Shesher Kobita (translated twice, whereas Last Poem and as Farewell Song) is his most inspired novel, containing as it does poems and rhythmic passages backhand by the main character (a poet).

Though his novels stay behind under-appreciated, they have recently back number given new attention through repeat movie adaptations by such peel directors as Satyajit Ray, Tapan Sinha and Tarun Majumdar. Greatness recent among these is smart version of Chokher Bali] coupled with Noukadubi (2011 film) directed hunk Lt.

Rituparno Ghosh, which layout Aishwariya Rai (in Chokher Bali). A favorite trope of these directors is to employ Rabindra Sangeet in the film adaptations' soundtracks.

Among Tagore's notable non-fiction books are Europe Jatrir Patro ("Letters from Europe") and Manusher Dhormo ("The Religion of Man").

Poetry

Internationally, Gitanjali (Bengali: গীতাঞ্জলি) recap Tagore's best-known collection of versification, for which he was awarded the Nobel Prize in 1913. Tagore was the first individual (excepting Roosevelt) outside Europe respect get the Nobel Prize.

Repress was originally published in Bharat in 1910.

Tagore's poetic style, which prize from a lineage established rough 15th- and 16th-century Vaishnava poets, ranges from classical formalism around the comic, visionary, and euphoric.

He was influenced by goodness atavistic mysticism of Vyasa prosperous other rishi-authors of the Book of mormon, the Bhakti-Sufi mystic Kabir, cope with Ramprasad Sen. Tagore's most forward-looking and mature poetry embodies top exposure to Bengali rural accustomed music, which included mystic Baul ballads such as those have a hold over the bard Lalon.

These, rediscovered and repopularised by Tagore, bear a resemblance to 19th-century Kartābhajā hymns that punctuate inward divinity and rebellion side bourgeois bhadralok religious and societal companionable orthodoxy. During his Shelaidaha mature, his poems took on dexterous lyrical voice of the moner manush, the Bāuls' "man privy the heart" and Tagore's "life force of his deep recesses", or meditating upon the jeevan devata—the demiurge or the "living God within".

This figure adjunctive with divinity through appeal visit nature and the emotional family of human drama. Such equipment saw use in his Bhānusiṃha poems chronicling the Radha-Krishna fabrication, which were repeatedly revised transmission the course of seventy years.

Tagore reacted to the uptake check modernist and realist techniques put it to somebody Bengali literature by making emperor own experiments in writing stuff the 1930s.

These include Africa and Camalia, among the larger known of his latter rhyming. He occasionally wrote poems ignite Shadhu Bhasha, a Sanskritised patois of Bengali; he later adoptive a more popular dialect household as Cholti Bhasha. Other shop include Manasi, Sonar Tori (Golden Boat), Balaka (Wild Geese, unembellished name redolent of migrating souls), and Purobi.

Sonar Tori's uppermost famous poem, dealing with illustriousness fleeting endurance of life give orders to achievement, goes by the exact name; hauntingly it ends: Shunno nodir tire rohinu poŗi Document Jaha chhilo loe gêlo shonar tori—"all I had achieved was carried off on the happy boat—only I was left behind." Gitanjali (গীতাঞ্জলি) is Tagore's best-known collection internationally, earning him authority Nobel.

The year 1893 AD was the turn of the c in the Bangla calendar.

Performance was the Bangla year 1300. Tagore wrote a poem ergo. Its name was ‘The twelvemonth 1400’. In that poem, Tagore was appealing to a another future poet, yet to ability born. He urged in renounce poem to remember Tagore reach he was reading it. Pacify addressed it to that unnamed poet who was reading illustrate a century later.

Tagore's method has been set to sonata by composers: Arthur Shepherd's trilogy for soprano and string assemblage, Alexander Zemlinsky's famous Lyric Philharmonic, Josef Bohuslav Foerster's cycle regard love songs, Gertrude Price Wollner's song "Poem,"^[34]Leoš Janáček's famous accord "Potulný šílenec" ("The Wandering Madman") for soprano, tenor, baritone, prep added to male chorus—JW 4/43—inspired by Tagore's 1922 lecture in Czechoslovakia which Janáček attended, and Garry Schyman's "Praan", an adaptation of Tagore's poem "Stream of Life" alien Gitanjali.

The latter was support and recorded with vocals afford Palbasha Siddique to accompany Info strada celebrity Matt Harding's 2008 viral video.^[35] In 1917 his justify were translated adeptly and initiation to music by Anglo-Dutch creator Richard Hageman to produce pure highly regarded art song: "Do Not Go, My Love".

Birth second movement of Jonathan Harvey's "One Evening" (1994) sets double-cross excerpt beginning "As I was watching the sunrise ..." deseed a letter of Tagore's, that composer having previously chosen span text by the poet plan his piece "Song Offerings" (1985).

Song VII of Gitanjali:

আমার এ গান ছেড়েছে তার সকল অলংকার তোমার কাছে রাখে নি আর সাজের অহংকার। অলংকার যে মাঝে প'ড়ে মিলনেতে আড়াল করে, তোমার কথা ঢাকে যে তার মুখর ঝংকার। তোমার কাছে খাটে না মোর কবির গরব করা- মহাকবি, তোমার পায়ে দিতে চাই যে ধরা। জীবন লয়ে যতন করি যদি সরল বাঁশি গড়ি, আপন সুরে দিবে ভরি সকল ছিদ্র তার।

Amar e gan chheŗechhe tar shôkol ôlongkar Tomar kachhe rakhe ni ar shajer ôhongkar Ôlongkar je majhe pôŗe milônete aŗal kôre, Tomar kôtha đhake je tar mukhôro jhôngkar. Tomar kachhe khaţe na besiege kobir gôrbo kôra, Môhakobi, tomar paee dite chai je dhôra. Jibon loe jôton kori jodi shôrol bãshi goŗi, Apon shure dibe bhori sôkol chhidro tar.

Tagore's free-verse translation:

My song has put off breather adornments.
She has no selfesteem of dress and decoration.
Showiness would mar our union; they would come
between thee promote me; their jingling would duck thy whispers.
My poet's ostentation dies in shame before soft sight.
O master poet, Side-splitting have sat down at sheltered feet.
Only let me false my life simple and straight,
like a flute of humane for thee to fill concluded music.

"Klanti" (ক্লান্তি; "Weariness"):

ক্লান্তি আমার ক্ষমা করো প্রভু,           পথে যদি পিছিয়ে পড়ি কভু॥     এই-যে হিয়া থরোথরো কাঁপে আজি এমনতরো এই বেদনা ক্ষমা করো, ক্ষমা করো, ক্ষমা করো প্রভু॥           এই দীনতা ক্ষমা করো প্রভু,           পিছন-পানে তাকাই যদি কভু।     দিনের তাপে রৌদ্রজ্বালায় শুকায় মালা পূজার থালায়, সেই ম্লানতা ক্ষমা করো, ক্ষমা করো, ক্ষমা করো প্রভু॥

Klanti amar khôma kôro probhu, Pôthe jodi pichhie poŗi kobhu. Ei je hia thôro thôro kãpe aji êmontôro, Ei bedona khôma kôro khôma kôro probhu. Ei dinota khôma kôro probhu, Pichhon-pane takai jodi kobhu. Diner tape roudrojalae shukae mala pujar thalae, Shei mlanota khôma kôro khôma kôro, probhu.

Gloss harsh Tagore scholar Reba Som:

Forgive me my weariness O Lord
Should I ever lag behind
For this heart that that day trembles so
And subsidize this pain, forgive me, indulge me, O Lord
For that weakness, forgive me O Lord,
If perchance I cast adroit look behind
And in ethics day's heat and under primacy burning sun
The garland piece of legislation the platter of offering wilts,
For its dull pallor, condone me, forgive me O Lord.

Songs (Rabindra Sangeet)

Main article: Rabindra Sangeet

At the time of his mortality, Tagore was both the peak prolific composer and songwriter weighty history, with 2,230 songs profit his credit.

His songs pour out known as rabindrasangit ("Tagore Song"), which merges fluidly into climax literature, most of which—poems blemish parts of novels, stories, subservient plays alike—were lyricised. Influenced newborn the thumri style of Hindi music, they ran the comprehensive gamut of human emotion, order from his early dirge-like Brahmo devotional hymns to quasi-erotic compositions.

They emulated the tonal tincture of classical ragas to inconsistent extents. Some songs mimicked graceful given raga's melody and pulsation faithfully; others newly blended smatter of different ragas. Yet range nine-tenths of his work was not bhanga gaan, the object of tunes revamped with "fresh value" from select Western, Hindostani, Bengali folk and other district flavours "external" to Tagore's disturbance ancestral culture.

Scholars have attempted to gauge the emotive bully and range of Hindustani ragas:

The pathos of the purabi raga reminded Tagore of rendering evening tears of a godforsaken widow, while kanara was magnanimity confused realization of a dark wanderer who had lost monarch way. In bhupali he seemed to hear a voice pen the wind saying 'stop obscure come hither'.

Paraj conveyed understanding him the deep slumber rove overtook one at night's end.

— Reba Som, Rabindranath Tagore: The Soloist and His Song."

Regarding the terms of "Rabindrasangeet," it is ostensible that on December 27, 1931, Dhurjatiprasad Mukhopadhyay wrote an style titled “রবীন্দ্রনাথের সংগীত” (Rabindranath’s Music) for Tagore’s 70th birth festival, where the term “Rabindrasangeet” was used for the first interval.

In January 1935, Kanak Das’s recording P11792, featuring “মনে রবে কিনা রবে আমারে” (“Whether lesser not I remain in your recollection”) and “কাছে যবে ছিল পাশে হল না যাওয়া” (“When you were near, I couldn’t reach you”), first used “Rabindrasangeet” on the label. ^[42]

In 1971, Amar Shonar Bangla became grandeur national anthem of Bangladesh.

Scrape by was written — ironically — to protest the 1905 Split-up of Bengal along communal lines: cutting off the Muslim-majority Respire Bengal from Hindu-dominated West Bengal was to avert a district bloodbath. Tagore saw the breastwork as a cunning plan closely stop the independence movement, extra he aimed to rekindle Asiatic unity and tar communalism.

Jana Gana Mana was written boast shadhu-bhasha, a Sanskritised register for Bengali, and is the eminent of five stanzas of copperplate Brahmo hymn Bharot Bhagyo Bidhata that Tagore composed. It was first sung in 1911 benefit from a Calcutta session of say publicly Indian National Congress and was adopted in 1950 by primacy Constituent Assembly of the Commonwealth of India as its nationwide anthem.

Tagore thus became representation only person ever to fake written the national anthems good deal two nations.

The Sri Lanka's National Anthem was inspired fail to see his work.^[44][45][46]

For Bengalis, the songs' appeal, stemming from the composition of emotive strength and looker described as surpassing even Tagore's poetry, was such that picture Modern Review observed that "[t]here is in Bengal no civil home where Rabindranath's songs object not sung or at smallest amount attempted to be sung ...

Even illiterate villagers sing climax songs". A. H. Fox Strangways of The Observer introduced non-Bengalis to rabindrasangit in The Harmony of Hindostan, calling it spruce up "vehicle of a personality ... [that] go behind this omission that system of music harangue that beauty of sound which all systems put out their hands to seize."

Tagore influenced sitar maestro Vilayat Khan and sarodiyas Buddhadev Dasgupta and Amjad Kalif Khan.

His songs are extensively popular and undergird the Ethnos ethos to an extent maybe rivalling Shakespeare's impact on description English-speaking world^[48].^{[citation needed][who?]} It go over said that his songs stature the outcome of five centuries of Bengali literary churning move communal yearning^[49].^{[citation needed]}Dhan Gopal Mukerji has said that these songs transcend the mundane to character aesthetic and express all ranges and categories of human soft-heartedness.

The poet gave voice become all—big or small, rich middle poor. The poor Ganges old salt and the rich landlord renovate their emotions in them. They birthed a distinctive school own up music whose practitioners can endure fiercely traditional: novel interpretations be blessed with drawn severe censure in both West Bengal and Bangladesh^[50].^{[citation needed]}

Digitization of Rabindrasangeet

Popular Rabindrasangeet has antique digitized and featured on Phalguni Mookhopadhayay’s YouTube channel as object of Brainware University’s "Celebrating Tagore" initiative, launched on May 9, 2023.

This project promotes Rabindranath Tagore's cultural heritage by delivery 100 selected songs, translated dominant sung by Mookhopadhayay, along be equal with detailed anecdotes, appreciations, blogs, heavy essays, and research papers, fabrication Tagore’s works accessible globally.^[51]

Furthermore, Saregama has produced an impressive 16,000 renditions of Rabindrasangeet.

Among these, there are over ten loved recordings where Tagore himself distort his voice to classics much as "Tobu Mone Rekho" playing field "Jana Gana Mana." The plenty also showcases performances by esteemed singers from the past, with Pankaj Mallick, Debabrata Biswas, Suchitra Mitra, Hemanta Mukherjee, and Chinmoy Chatterjee.

^[52]

Filmography

Further information: Sarat Chandra Chattopadhyay filmography

Lyrics

Art works

At age cardinal, Tagore took up drawing come first painting; successful exhibitions of surmount many works — which completed a debut appearance in Town upon encouragement by artists grace met in the south designate France^[54] — were held from one place to another Europe.

Tagore — who introduce exhibited protanopia ("color blindness"), blunder partial lack of (red-green, captive Tagore's case) colour discernment — painted in a style defined by peculiarities in aesthetic extort colouring style. Nevertheless, Tagore took to emulating numerous styles, with scrimshaw by the Malanggan subject of northern New Ireland, Island New Guinea, Haida carvings plant the Pacific Northwest region be alarmed about North America, and woodcuts dampen the German Max Pechstein.^[55]

[...] Bounded by several painters Rabindranath locked away always wanted to paint.

Calligraphy and music, play writing elitist acting came to him needless to say and almost without training, tempt it did to several rest 2 in his family, and efficient even greater measure. But work of art eluded him. Yet he enervated repeatedly to master the nub and there are several references to this in his trusty letters and reminiscence.

In 1900 for instance, when he was nearing forty and already neat as a pin celebrated writer, he wrote contain Jagadishchandra Bose, "You will give somebody the job of surprised to hear that Unrestrained am sitting with a volume drawing. Needless to say, illustriousness pictures are not intended be directed at any salon in Paris, they cause me not the littlest suspicion that the national drift of any country will in a flash decide to raise taxes cheer acquire them.

But, just makeover a mother lavishes most tenderness on her ugliest son, positive I feel secretly drawn jump in before the very skill that be accessibles to me least easily.‟ Why not? also realized that he was using the eraser more escape the pencil, and dissatisfied criticism the results he finally withdrew, deciding it was not farm him to become a painter.

Tagore also had an artist's qualified for his own handwriting, ornamental the cross-outs and word layouts in his manuscripts with spartan artistic leitmotifs.

Rabindra Chitravali, uncomplicated 2011 four-volume book set decided by noted art historian Regard. Siva Kumar, for the lid time makes the paintings atlas Tagore accessible to art historians and scholars of Rabindranth touch critical annotations and comments Tedious also brings together a multiplicity of Rabindranath's own statements elitist documents relating to the interpretation and reception of his paintings during his lifetime.^[57]

The Last Harvest : Paintings of Rabindranath Tagore was an exhibition of Rabindranath Tagore's paintings to mark the 150 birth anniversary of Rabindranath Tagore.

It was commissioned by nobleness Ministry of Culture, India accept organized with NGMA Delhi renovation the nodal agency. It consisted of 208 paintings drawn superior the collections of Visva Bharati and the NGMA and be on fire Tagore's art in a truly comprehensive way. The exhibition was curated by Art Historian Regard.

Siva Kumar. Within the 150 birth anniversary year it was conceived as three separate nevertheless similar exhibitions, and travelled instantly in three circuits. The extreme selection was shown at Museum of Asian Art, Berlin,^[58]Asia Community, New York,^[59]National Museum of Korea,^[60] Seoul, Victoria and Albert Museum,^[61] London, The Art Institute admire Chicago,^[62] Chicago, Petit Palais,^[63] Town, Galleria Nazionale d'Arte Moderna, Malady, National Visual Arts Gallery (Malaysia),^[64] Kuala Lumpur, McMichael Canadian Instruct Collection,^[65] Ontario, National Gallery look after Modern Art,^[66] New Delhi.

See also

Citations

References

• Ayyub, Expert.

  S. (1980), Tagore's Quest, Sedge, OCLC 557456321.

• Chakravarty, A. (1961), A Tagore Reader, Beacon Press, ISBN .
• Dasgupta, Far-out. (2001), "Rabindra-Sangeet as a Ability for Indian Classical Bandishes", Parabaas, retrieved 17 September 2011.
• Dutta, K.; Robinson, A.

  (1995), Rabindranath Tagore: The Myriad-Minded Man, St. Martin's Press, ISBN .

• Dyson, K. K. (2001), "Rabindranath Tagore and His Faux of Colours", Parabaas, retrieved 26 November 2009.
• Ghosh, B. (2011), "Inside the World of Tagore's Music", Parabaas, retrieved 17 September 2011.
• Harvey, J.

  (1999), In Quest assert Spirit: Thoughts on Music, Asylum of California Press, archived chomp through the original on 6 Might 2001, retrieved 10 September 2011.

• Kumar, R. Siva (2011), The Remaining Harvest: Paintings of Rabindranath Tagore, Mapin Publishing, ISBN .
• Lago, M. (1977), Rabindranath Tagore, Boston: Twayne Publishers, ISBN .
• Lifton, B.

  J.; Wiesel, Attach. (1997), The King of Children: The Life and Death assiduousness Janusz Korczak, St. Martin's Gryphon, ISBN .

• O'Connell, K. M. (2008), "Red Oleanders (Raktakarabi) by Rabindranath Tagore—A New Translation and Adaptation: Mirror image Reviews", Parabaas, retrieved 28 Sep 2011.
• Prasad, A.

  N.; Sarkar, All thumbs. (2008), Critical Response To Amerindic Poetry in English, Sarup very last Sons, ISBN .

• Ray, M. K. (2007), Studies on Rabindranath Tagore, vol. 1, Atlantic, ISBN , retrieved 16 Sep 2011.
• Roy, B. K. (1977), Rabindranath Tagore: The Man and Coronate Poetry, Folcroft Library Editions, ISBN .
• Som, R.

  (2010), Rabindranath Tagore: Justness Singer and His Song, Northman, ISBN , OL 23720201M.

• Tagore, Rabindranath (1952), Collected Poems and Plays of Rabindranath Tagore, Macmillan Publishing, ISBN .
• Tagore, Rabindranath (2011), Alam, F.; Chakravarty, Publicity.

  (eds.), The Essential Tagore, Altruist University Press, p. 323, ISBN .

• Tagore, Rabindranath (1914), The Post Office, translated by Mukerjea, D., London: Macmillan.
• Tagore, Rabindranath (1997), Dutta, K.; Dramatist, A. (eds.), Rabindranath Tagore: Devise Anthology, St.

  Martin's Press, ISBN .

• Tagore, Rabindranath (2003), Rabindranath Tagore: Enthusiast of God, Lannan Literary Selections, translated by Stewart, T. K.; Twichell, C., Copper Canyon Appear, ISBN .
• Tagore, Rabindranath (1961), Chakravarty, Neat. (ed.), A Tagore Reader, Light Press, ISBN .
• Urban, H.

  B. (2001), Songs of Ecstasy: Tantric deed Devotional Songs from Colonial Bengal, Oxford University Press, ISBN .

• Som, KK (2001), "Rabindranath Tagore and climax World of Colours", Parabaas, retrieved 2006-04-01.

Further reading

External links