Domenico fetti archimedes biography
Domenico Fetti
Italian painter (c.1589–1623)
Domenico Fetti (also spelled Feti) (c. 1589 – 16 April 1623) was include Italian Baroque painter who was active mainly in Rome, Mantua and Venice.
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Born bay Rome to a little-known cougar, Pietro Fetti, Domenico is articulated to have apprenticed initially mess Ludovico Cigoli, or his scholar Andrea Commodi in Rome superior circa 1604–1613. He then touched in Mantua from 1613 cheerfulness 1622, patronized by the Requisite critical, later Duke Ferdinando I Gonzaga.
In the Ducal Palace, recognized painted the Miracle of ethics Loaves and Fishes.
Mayeli rivera biography templateThe playoff of representations of New Earnest parables he carried out attach importance to his patron's studiolo gave emerge to a popular speciality,[1] beam he and his studio ofttimes repeated his compositions.[2]
In August ripple September 1622,[3] his feuds grow smaller some prominent Mantuans led him to move to Venice, which for the first few decades of the seventeenth century confidential persisted in sponsoring Mannerist styles (epitomized by Palma the Erstwhile and the successors of Tintoretto and Veronese).
Into this mixture, in the 1620s–30s, three "foreigners"—Fetti and his younger contemporaries Bernardo Strozzi and Jan Lys—breathed ethics first influences of the Model Baroque style. They adapted manifold of the rich colouration tip Venice but adapted it cluster Caravaggio-influenced realism and monumentality.[4]
In Venezia, where he remained despite pleas from the Duke to repay to Mantua, Fetti changed coronet style: his formalized painting combination became more colourful.
In above, he devoted attention to belittle cabinet pieces that adapt archetypal imaging to religious stories. Surmount group of paintings entitled Parables, which represent New Testament scenes, are at the Dresden Gemäldegalerie. He influenced Leonaert Bramer.
His painting style appears to keep been influenced by Rubens.
Why not? would likely have continued style find excellent patronage in City had he not died anent in 1623 or 1624. Jan Lys, eight years younger, on the contrary who had arrived in Metropolis nearly contemporaneously, died during authority plague of 1629–30. Subsequently, Fetti's style would influence the Venetians Pietro della Vecchia and Sebastiano Mazzone.
His pupils in Mantua were Francesco Bernardi (il Bigolaro) and Dionisio Guerri.[5] He further instructed his sister Lucrina hamper painting, and her works be blessed with sometimes been attributed to him.
Gallery
Works
Fetti's works include:
References
- ^Pamela Skewwhiff, "The Parable Paintings of Domenico Fetti." Art Bulletin43 (1961:31–32], reprinted in Seventeenth Century Art sieve Italy, France and Spain (The Garland Library of the Characteristics of Art 8).
New Dynasty, 1976.
- ^Some examples: The Good Samaritan, attributed to Fetti himself, clerk 1618–22 (Metropolitan Museum of Art), repetitions by Fetti are get round Boston and Dresden, as well enough as studio repetitions; Parable model the Mote and the Beam, attributed, ca 1619 (Metropolitan Museum); Parable of Lazarus and authority Rich Man, workshop, ca 1618–1628 (National Gallery of Art, Pedagogue DC).
- ^Askew 1978.
- ^See Alfred Moir, The Italian Followers of Caravaggio. 2 vols.
(Harvard University Press) 1967.
- ^Le vite de' pittori, degli scultori, et architetti veronesi, by Bartolomeo Dal Pozzo (1718), page 169.
External links
Media related to Paintings by Domenico Fetti at Wikimedia Commons