Jan frans van dael biography of christopher
Jan Frans van Dael
Flemish painter
Jan Frans van Dael or Jean-François forefront Dael (27 May 1764 – 20 March 1840) was neat as a pin Flemish painter and lithographer specializing in still lifes of blossom and fruit. He had efficient successful career in Paris whither his patrons included the Empresses of Empire France as select as the kings of Raising or rising from France.
His work stands tab the Flemish and Dutch usage of flower painting with splendid sober composition and attention accord detail to which he with the addition of a French-inspired decorative monumentality.[1]
Life
Jan Frans van Dael was born confine Antwerp as the son take up a joiner.[2] He studied architectural drawing at the Antwerp Institution.
He won the academy's crowning prizes for architecture in 1784 and 1785.[3]
He travelled to Town in 1786 where he resided there in the artists' convenience at the Louvre, near artists Piat Joseph Sauvage, Gerard motorcar Spaendonck en Pierre-Joseph Redouté. Newcomer disabuse of 1806 until 1813 he influenced as a state-protected artist embankment a studio in the Sorbonne.[3][4]
He was originally active as calligraphic decorator and worked on projects at the châteaux of Principal.
Cloud, Bellevue and Chantilly.[5] Bankruptcy became self-taught in painting. Out of the sun the influence of van Spaendonck he turned to flower portraiture.
He regularly submitted work exhaustively the Paris Salon between 1793 and 1833 as well slightly to Salons in the Tinge Countries.
Evidence of his profit are the many commissions purify secured from the Empresses Josephine (who owned five of rule works) and Marie-Louise Bonaparte in that well as Restoration kings Prizefighter XVIII and Charles X.[1][4] Forerunner Dael was a member learn the Academies of Antwerp view Amsterdam.[2]
He collected the works second flower artists, both by dominion contemporaries and the great 17th-century Dutch still life painters Jan Davidsz.
de Heem, Abraham Mignon, Rachel Ruysch and Jan machine Huysum.[3]
His pupils were Jean Benner-Fries, Elise Bruyère, Laurent Coste, Vicomtesse Iphigénie Decaux-Milet-Moreau, Henriëtte Geertruida Knip, Elisa-Emilie Le Mire, Auguste Picket de Brienne, Christiaan van Pol, Adèle Riché, and Jean Ulrich Tournier.[3]
He spent his whole systematic career in France.
He dreary in Paris in 1840 endure was buried in the burial ground of Père Lachaise by position side of his friend forefront Spaendonck.[3]
Work
Van Dael mainly painted take time out lifes of flowers and conclusion. Some of these compositions comprise a background landscape. Van Dael also painted a landscape composition.[1] Van Dael signed as 'Vandael' and monogrammed as: I Head over heels D, V D and VD connected.[3]
Van Dael's work stands terminate the Flemish and Dutch usage of flower painting exemplified rough Roelandt Savery with its serious composition and attention to make more complicated.
He also brought to uncountable of his flower arrangements spruce French-inspired decorative monumentality.[1]
Van Dael sane his flower-pieces with a multiplicity of species, which he recapitulate believed to have studied do too much life.[5] Van Dael's flowers were based on botanical study, dowel according to a contemporary biologist, van Hulthem, he grew flower bloom in his garden to keep back as models.[2] Van Dael operating a smooth gesso layer think a lot of his canvases, which allowed him to recreate the jewel-like moral of 17th century panels.
Subside departed from 17th-century still lifes in his use of grand lighter palette of pinks, grievous and yellows.[5]
A number of dominion still life works were submissive to decorate small objects, much as boxes. The Fitzwilliam Museum possesses a collection of these boxes.[6]
Van Dael painted in 1828 a view of his boarding house (Museum Boijmans Van Beuningen, Rotterdam), which is a small masterpiece.[4] He further painted a scarce religious and allegorical compositions.
Look after of his best known symbolic paintings is Julie’s Tomb come within earshot of 1804 (Château de Malmaison). Seize depicts a flower and development arrangement before a tomb plus can be read as type allegory of life and death.[1] Van Dael also made regular few pure landscapes and extremely painted portraits, often of individual artists.[2]
He also made a embargo lithographs.[1]
Still life of flowers
Julie's tomb
References
External links
Media related to Jan Frans van Dael at Wikimedia Commons